American Musicians To Perform Works by Iranian Composers in Gesture of Welcome

American Musicians To Perform Works by Iranian Composers in Gesture of Welcome... 13/03/2017 Arts

Keywords:#American, #Anahita, #Andrew_McIntosh, #Arts, #Aston, #Boston, #California, #Colorado, #Facebook, #Indiana, #Internet, #Iran, #Iranian, #January, #Laurie_Niles, #Long_Beach, #Los_Angeles, #Pasadena, #Persian, #Ph.D, #Suzuki, #Symphony, #Tehran, #University, #University_of_California, #University_of_Denver,, #Yazdani

By Laurie Niles
March 12, 2017, 5:49 PM · In late January, after the first of the recent U.S. travel bans was signed, Los Angeles-based violist and violinist Andrew McIntosh put a post on Facebook looking for recommendations of violin repertoire by living composers from the affected countries.g
"The response that I received to that post was astounding, with many friends and acquaintances chiming in with suggestions, mostly of music by composers from Iran," McIntosh said. "I ended up being in touch with composers all over the world and being introduced to some truly wonderful new music."
As a result, he has organized a free concert that will be presented at 8 p.m Tuesday at Boston Court in Pasadena, Calif.: A Musical Gesture of Welcome and Openness: Presenting the Work of Seven Iranian Composers. McIntosh will perform contemporary works for solo violin, as well as duos with pianist Richard Valitutto and soprano Stephanie Aston. The featured composers are Anahita Abassi, Sina Fallahzad, Ashkan Behzadi, Idin Samimi Mofakham, Arash Yazdani, Amir Mahyar Tafreshipour, and Aida Shirazi. Boston Court is hosting the event, and all musicians are volunteering their time to perform.
Andrew McIntosh and the seven Iranian composers whose music he will perform.
McIntosh, who also is a composer, planned the concert because "I love the music that I was introduced to, and wanted to perform it," he said. "Early on in the process, I thought of the event as a political gesture, providing a voice that seeks to reshape the narrative we hear daily on the news about Iran or other Middle-Eastern countries. I am deeply saddened by the current politics and events in America, and this concert is my way of responding to that publicly."
"Once I started interacting directly with Iranian composers, though, the human connection quickly became the most important part," he said. "It is important to me to place the focus of the event on its musical content and on the featured composers' work, rather than just using it as a vehicle for a message. I programmed their music because I am interested in what they have created and I am looking forward to sharing it. Of course, they are all from Iran, and the fact that this concert is happening is politically charged in the current climate, but I feel that a simple concert is the most respectful and straightforward way that I can extend a voice of welcome and openness. I hope that many other Americans will also find ways of expressing their own voices of welcome and openness, and that those voices will combine to change the hateful rhetoric and damaging actions coming from other parts of our society."
For composer Aida Shirazi, the concert has been a boost during a difficult time.
"I, like many others coming from the countries affected by the travel ban, have been through tough days and feelings," said Shirazi, who was raised in Tehran and is a permanent resident of the U.S. She is a Ph.D. student in music composition at the University of California-Davis. "Although I moved to the U.S. (only) about six months ago, the enormous love and support of so many caring, compassionate Americans, from friends and colleagues to my professors, has helped me deal with the unpleasant feeling caused by the recent occurrences."
"Obviously, the professional support coming from my colleagues plays a crucial role in my artistic life in these hard days," she said. "It encourages me to continue working hard and being productive, knowing that no matter what happens, my music will be performed by the great musicians who value art and humanity over politics and borders."
McIntosh will perform her work for solo violin, "One Day The Bird Will Be Free." Though her works have been performed in the U.S. before, this will be her first work to be performed in the U.S. since she has been living here.
McIntosh said that above all, the reason he wanted to explore the music of Iran was simple curiosity.
"I am not going to pretend that I know much about Iranian culture, other than having seen a few Iranian movies and read a few Iranian books, but I know that Iran is a modern, bustling, beautiful place, full of many highly-educated, generous, and creative people - many of whom probably feel as conflicted about their own political situation as I feel about mine," he said. "I am not going to make assumptions about what the people who live there are like based solely on the dramatic headlines I see in our news, and I hope that others around the world would also not judge me based solely on what they read about America in their news. So, I've been curious for a while to know more about people who actually live in Iran or come from Iran, and this was a way of exploring that. Also, the majority of the composers I was introduced to after my recent Facebook post were from Iran, so it made sense to make that the theme of the concert."
"Iran has an ancient and rich musical heritage that I have been fascinated with for years," McIntosh said. "Being a violinist, I particularly love the repertoire of the kemancheh, a Persian cousin of the violin. Before putting together this event, though, my familiarity with music from Iran was limited mostly just to this cursory interest in traditional Persian music and I knew very little about contemporary music in Iran. I have been delighted by the wealth of new repertoire that I've been introduced to, and I wish that I had begun this investigative journey many years ago."
"The music I've selected for this program is varied, but much of it would sound more at home in a 'new music' concert than in a Persian music concert, although there are subtle traditional Persian influences in a few of the pieces," he said. "There will be a delightfully wide range of techniques on the violin, from florid harmonics to subtle nuances of timbre to wild spectral sounds created by putting blue tac on the strings. I think all of the pieces could be described as exploratory to some degree, and in practicing the music I am excited by the huge range of expression that is called for from the violin."
LA-based pianist Richard Valitutto, who will perform a work by composer Amir Mahyar Tafreshipour, said that "we're all donating our time and energies to this event with the hopes that audience members will walk away a little more connected to humanity. This concert is a way to share and delight in the art and music of various individuals from Iran as a way to establish solidarity and support for the people affiliated with the nations on the 'banned' list."

Laurie Niles founded with her husband, Robert, in 1996. The website offered Laurie the perfect opportunity to blend her skills as a formally trained professional violinist and a former daily newspaper reporter.

* * * More recently, Laurie published a book of 30 of's best interviews from the last six years, called Interviews, Volume 1.
Over the past decade, has proven that the Internet can draw together people from all over the world who love classical music, and that it can inflame their passion for it. The site attracts more than 150,000 absolute unique visitors each month, from teens in Kansas blogging about a Suzuki festival to professionals in the Far East sharing practice tips.
Laurie lives in Pasadena, Calif., where she maintains a private studio and teaches with Suzuki Talent Education of Pasadena (STEP). She free-lances in LA, and has played for the Long Beach, Pasadena, New West, Redlands, Omaha (Neb.) and the Colorado Springs Symphonies. She holds a Bachelor of Music degree from Northwestern University, where she studied with Gerardo Ribeiro, and a Master of Arts degree in Journalism from Indiana University, where she also studied violin with Henryk Kowalski. She is registered with the SAA, having trained in Suzuki Books 1-10 with James Maurer at the University of Denver, and with Mark Bjork, Helen Brunner, Ellie LeRoux and Enid Cleary at the Colorado Suzuki Institute. In addition to her blog, she has also written articles for The Strad magazine, Strings magazine, Symphony magazine and the American Suzuki Journal.
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